by Chris Floyd
The most important--and unfortunately the least debated--issue in politics today is our society's steady drift toward a class-based system, the likes of which we have not seen since the 19th century. America's top tier has grown infinitely richer and more removed over the past 25 years. It is not unfair to say that they are literally living in a different country. Few among them send their children to public schools; fewer still send their loved ones to fight our wars. They own most of our stocks, making the stock market an unreliable indicator of the economic health of working people. The top 1% now takes in an astounding 16% of national income, up from 8% in 1980. The tax codes protect them, just as they protect corporate America, through a vast system of loopholes.Add a comment
by Mickey Z.
Nobody walks in the subway anymore. I say this to myself but even in my own head, my voice sounds weary this early in the morning
Look down in the New York City subway and you'll see feet. Lots and lots of feet. In high heels, sneakers, work boots, dress shoes, and casual loafers, the feet pounding on the filthy, century-old floor have one thing in common: they are moving quickly. If it's not an all-out sprint, it's at least a two-steps-at-a-time, get-the-hell-out-of-my-way stride. In the middle of it all, I try to maintain a more reasonable pace amidst enough jostling and bumping to please even the most diehard roller derby fanatic
The prehistoric subway system of New York City was obviously designed well before anyone could have ever have dreamed of millions of riders each day Still, in general, that imposing amount of straphangers could theoretically all fit without much fuss if humanity was further along in its glacially gradual evolutionary process. But, since we're stuck in the primitive confines of the early twenty-first century, illogic reigns supreme and the trains are a daily-but essentially unfunny-replay of the infamous (and over-rated) stateroom scene in the Marx Brothers' classic 1936 film, "A Night At The Opera." I say "over-rated," because the Marxsters did infinitely more comical work but somehow, it is the stateroom that has become synonymous with their genius thanks to myriad film critics afraid to buck the system and be original
The similarities between Craig Murray, former British ambassador to Uzbekistan, and a character in a new spy series are uncanny. So why is the BBC denying it?
by Chris Floyd
How did Tony Blair react to his American partner's humiliation at the polls last week? By racheting up the "War on Terror" to new heights of fear and division, with panic-mongering speeches, more draconian security measures â€“ and a shocking "blood libel" against British Muslims. (This is my latest piece for Truthout.org.)
I. The Waters Ran Red
They say the fountain in London's Trafalgar Square turned the color of blood on Armistice Day last weekend, as Britons in their hundreds of thousands trudged out in the November gloom to comm emorate the end of the First World War, and lament the dead in all the wars thereafter.
But the turning of the water was no miracle, no divine judgment on the leader whose fateful partnership with George W. Bush is producing â€“ week after week, month after month, year after year â€“ fresh cause for future mourning. The color came from the thousands of fake poppies tossed into the fountain in what The Observer called "a spontaneous act of remembrance": an offering of the ubiquitous charity emblems worn by most of the population in the week leading up to the memorials.
In any case, Tony Blair never saw the vision of blood in the Square; he was in Hyde Park, with the Queen and other worthies, conducting formal ceremonies where no free action or unscripted word from the public was allowed to intrude. These offices of the dead were a fitting end to a week which saw Blair and his ministers launch a massive new fearmongering campaign, promising a "generation" of terror, war and tyrannical security measures in a "long and deep struggle" against his own nation's Muslim minority.